For nearly 30 years, Hewitt has drawn inspiration from Asian and West African ceramics, and the native North Carolina potting traditions of Seagrove and the Catawba River valley. Hewitt digs the clay, mixes his own glazes and fires in a wood burning kiln on his property. For this installation, the artist selected pots from his own collection, four private collections and the Cameron Art Museum in Wilmington.
" 'Falling Into Place' describes my love affair with North Carolina and its venerable ceramic heritage," Hewitt said. "Finding this tradition was a little like an English guitar player discovering the blues."
The installation was conceived by Sarah Schroth, the Nancy Hanks Senior Curator at the Nasher Museum.
"Mark Hewitt is an internationally renowned potter whose work has been compared to icons, monuments and temples," Schroth said. "The huge scale of his work conveys an unmatched mastery of the medium. In this case, we are asking Mark to think like a sculptor. The daring placement of his beautiful pots with their salt glazes and incised patterns will create an organic transition between the museum's modernist architecture and the surrounding woods."
Hewitt was born and raised in Stoke-on-Trent, England, and has lived in North Carolina since 1983. He has exhibited in New York, Tokyo and London, and co-curated the exhibition "The Potter's Eye: Art and Tradition in North Carolina Pottery" at the North Carolina Museum of Art in 2005.
The exhibition is supported by Marilyn M. Arthur.
IMAGES: Detail of "Memorial to a Fetish" photo by Jason Dowdle.